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在文化诗学研究方面,自戴从文的《乔伊斯与爱尔兰民间诙谐文化》发表后,国内学术界开始了乔伊斯与巴赫金的狂欢化诗学理论之间的关系研究。戴从文在文中考察了乔伊斯中后期作品中的爱尔兰民间诙谐文化因素,指出“爱尔兰的民间诙谐文化除了改变了乔伊斯作品的价值取向,使他从早期的超人价值转向后期的群体价值外,随着作品重心的转变,乔伊斯后期作品的题材、结构和风格都发生了明显变化”。从此以后,现代主义语言政治理论解读被乔伊斯打破语言常规的话语所颠覆,有了关于狂欢化语言的所指。基于此,就小说《尤利西斯》的狂欢化进行分析,对此进行较为详细的论证,从而探究诗化小说中诗意与批判境界的思想根源。
In the research of cultural poetics, since Dai Congwen’s “Joyce and Irish folk witty culture” was published, the domestic academic circle began to study the relationship between Joyce’s and Bakhtin’s carnival poetics theory. Dai Congwen inspected the Irish folk witty cultural elements in Joyce’s middle and late works, pointing out that "Irish folk witty culture not only changed the value orientation of Joyce’s works, but also made him shift from the early Superhuman value to the later With the change of the center of gravity of the works, the theme, structure and style of Joyce’s later works have changed obviously. Since then, the interpretation of the modernist theory of political language has been subverted by Joyce ’s breaking of the conventional language of discourse with the reference to the language of carnivalization. Based on this, the author analyzes the carnivalization of the novel Ulysses and expounds it in more detail, so as to explore the ideological roots of poetic and critical realms in poetic novels.