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陶渊明作品成为重要书写对象是从北宋的苏轼开始的,他嗜书《归去来兮辞》,开启了同代及后人的书陶之风。元代赵孟继承苏轼把书陶艺术推向一个新的高潮,鲜于枢、俞和等书陶作品为其波澜,虽高风绝尘不如宋人,而遒媚风流自具特色。明代的书陶者以“吴门书派”祝允明、文征明、王宠和王穀祥等成就最高,董其昌宗尚平淡真率的书法理论明显受到了陶渊明影响。清代书法众体兼备,各体均有值得称道之作。行草如方以智,隶书如郑簠、高翔、何绍基,草书如傅山、朱耷等,足可辉映一代。陶诗的精、气、神无疑给书法家带来了特殊的陶家风貌。
Tao Yuanming’s work has become an important object of writing since the beginning of the Northern Song Dynasty Su Shi, who addicted to books “go back and come”, opened the book of contemporary generations and posterity. Zhao Meng inherited the Yuan Dynasty Su Shi put the art of pottery to a new climax, fresh in the pivot, Yu and other works of pottery as its waves, although the high wind and the dust as good as the Song people, and flatter the romantic style. In the Ming Dynasty, the calligraphists of Dong Wuchang, Zong Ping and Ping Tung Ping were apparently influenced by Tao Yuanming because they had the highest accomplishments such as Zhu Yunyun, Wen Zhengming, Wang Chong and Wang Guxiang. Both the body of calligraphy in the Qing Dynasty both, each body has commendable for. Rows of grass such as Fang Yizhi, official script such as Zheng Kui, Gao Xiang, He Shaoji, Cursive such as Fu Shan, Zhu Xi, enough to reflect the generation. Tao poem essence, gas, god undoubtedly brought special calligraphy masters Tao style.