从趣味出发——陈子丰水墨作品中的形式意志

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很难把陈子丰的作品以某个现成的风格词汇加以描述,因为后者都是艺术史家们对已具备样式共性的一类艺术作品的归纳,它难以被用来界定那些以个人趣味为基础的且正在发生中的艺术创作。在此,我更想以微观描述的方式交代其作品中所呈现出真切的个人趣味。陈子丰的水墨无疑有很多新东西。他并非首先为自己预设一个派别或说辞,以此甄选自己需要的题材。对选材似乎无所顾忌,“肆意”地从与他相关的日常生活与视觉文化中获取题材, It is difficult to describe Chen Zifeng’s works in a ready-made style of vocabularies because the latter are the generalizations by art historians of a class of works of art that have a commonalty of style that can hardly be used to define those based on personal taste And the ongoing art creation. Here, I would like to explain the true personal taste in her works in a micro-description. There is no doubt that there are many new things in Chen Zi Feng’s ink painting. Instead of first setting a faction or rhetoric for himself, he selects the subjects he needs. The selection seems to be scruples, “wanton ” from his daily life and visual culture to get the theme,
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