文同是北宋时期在文人墨竹画领域取得最高成就的代表性人物之一,他对后世中国画发展的主要贡献是开创湖州竹派,并影响产生了眉山竹派,从而促进文人画的形成与发展,成为中国文人画的开拓者。在诗、书、画三门艺术上全面精通的能力,使他在文人墨竹画创作与理论方面都有非凡的成就。本文所论述的“形理两全”说,即是文同所提出的绘画思想之一。文同的墨竹画创作,既十分重视状物而又不拘泥于具体物象形态的写实性细节,强调在把握竹子物理属性的基础上,以画中求书为 Wen Tong is one of the most representative figures in the field of literati painting in the Northern Song Dynasty. His main contribution to the development of Chinese painting in the later period is to create Huzhou Bamboo School and influence the formation of Meishan Bamboo School, thus promoting the formation of literati painting Development, become a pioneer of Chinese literati painting. His ability of mastering three verses in poetry, calligraphy and painting has made him an extraordinary accomplishment both in literary creation and theory. This article discusses the “theory of both” saying that it is one of the ideas proposed by Wen Tong. The same ink bamboo painting creation, attaches great importance to the juxtaposition of objects and not rigidly adhere to the concrete image of the realistic details, emphasizing the physical properties of bamboo in the grasp, based on the drawing for the book for