法国青年导演泽维尔·吉亚诺利仅拍摄了五部故事长片就三次入围欧洲三大电影节主竞赛单元。从法国新极端电影到较大的商业制作,在多样的题材中吉亚诺利总能保持较高的艺术水准。本文通过分析发现他的影片都是包含自证预言的寓言。通过一些关键元素的设置,吉亚诺利创造出一种易于接受的氛围,将个人情感问题形塑为一个具体的梦魇,再通过对梦魇的克服与超越,完成一种想象性的疗治。 French young director Xavier Giannoli shot only five feature films on three major European film festival three main competition unit. From new French extreme films to larger commercial productions, Giannolo always maintains a high artistic standard in a variety of subjects. Through analysis, this article finds that his films are allegories containing self-evidence prophecy. Through a number of key elements, Giannoli creates an atmosphere that is easy to accept, shapes personal emotional problems into a specific nightmare, and then overcomes and surpasses the nightmare to complete an imaginative treatment.