近来常感忙碌,即……使心有所感,也无暇下笔只能存放于心里。须知世间可存的东西众多,存钱,存物,存世俗人情……唯独灵感却是稍纵即逝,等到查阅内心时,才发觉早已无踪无迹,勉强拽住的一点感受,也因转换了时间与空间而全然变了味道。这个中午被亚丁丁的《自然和感伤之美》深深触动,不敢再等待,重又用文字享受那心灵盛宴。感伤,事实上是极为脆弱也是极为娇气的东西,它需要环境和氛围做衬托,在白天,在喧嚣处,在工作中,甚至在柴米油盐里,感伤便逃了,它禁不起世俗。它清高、孤傲、飘逸而绝尘。在那些凡尘俗事里,有的只是烦恼是悲伤,是因具体事物而产生的具体感受。而感伤是抽象的,是无来由的,是丰富的敏感的人的特享。感伤的无来由,它不因为具体某事或某 Recently often feel busy, that is ... ... make sense of the heart, no time pen can only be stored in my heart. The world can know many things can be saved, save money, save things, save secular human feelings ... ... but the inspiration is fleeting, until the access to the heart, only to find that no longer without trace, barely grab a little feeling, but also Because of the conversion of time and space completely changed the taste. This afternoon was Adenin’s “natural and sentimental beauty,” deeply touched, can not wait, re-use the text to enjoy the soul feast. Sentimental, in fact, extremely fragile and very fragile thing, it needs to set off the environment and atmosphere, during the day, in the noisy, at work, even in the wood of oil, sentimental will escape, it can not help but secular. It is high, lonely, elegant and never dusty. Among those mundane things, some are just worries, sadness, and concrete feelings. The sentiment is abstract, is without cause, rich and sensitive people enjoy. There is no reason to be sentimental, it is not because of something or something