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限制空间场景数量是有利于影视动画创作的有效方法,而当空间限制到极致就是单一场景。本文以影视动画空间的虚幻性、象征性和叙事性为理论基础出发,详细论述了“单一场景”的空间叙事、空间表现、形式美学、戏剧性美学方面的种种优势。笔者希望在肯定了场景的重要功能后能引发大家对影视动画中诸如时间、空间、角色等各种组成要素的逆向思考,寻找出更多更有效的创意思考模式与方法,制作出具有自己特殊形式风格的优秀作品。
Limiting the number of spatial scenes is an effective method for the creation of video animation, and when the space is limited to the extreme, it is a single scene. Based on the illusory, symbolic and narrative nature of film and television animation space, this paper discusses in detail the advantages of spatial narration, spatial representation, formal aesthetics and dramatic aesthetics of “single scene ”. I hope that in recognition of the important functions of the scene can lead to the film and television animation such as time, space, roles and other elements of the reverse thinking, to find out more and more effective ideas and methods of thinking to create their own special Formal style of outstanding works.