《在延安文艺座谈会上的讲话》发表之后,延安文学进入了后期创作阶段,呈现出一派新面貌,其重要特征是大多数作家均采用了大团圆的结局方式,这种现象的产生与当时特定文艺政策及文艺受众的需求等客观因素有关,同时也与作家对自我身份的认定及对传统审美的认同的主观因素相关。这一文学现象有其存在的历史价值,但也一定程度上存在有缺陷。 After the speech of Yan’an Literature and Art Symposium was published, Yan’an Literature entered the later stage of creation and showed a new look. The important feature of Yan’an Literature was that most writers adopted a happy ending. The phenomenon was similar to that of the time The specific literary and artistic policy and the needs of literary and artistic audiences, and other objective factors, but also with the writer’s identification of self-identity and approval of traditional aesthetic subjective factors. This literary phenomenon has its historical value, but it is also flawed to some extent.