长期以来,许多亚洲艺术家一直在做选择题。一是强调学徒意识。他们向大师致敬,从“制作方法”到“艺术观念”明显借用艺术史中曾经出现过的大师或者知名艺术家。有天赋的艺术家会加入其个人语境和内容,并做到平衡;缺乏力量的艺术家则会迷失自己,成为复制机器,甚至与抄袭没有区别。二是强调时代性。他们解析社会现状,找到自己感兴趣的 For a long time, many Asian artists have been doing multiple choice questions. One is to emphasize apprenticeship. They pay tribute to the masters, from “making methods” to “artistic concepts” obviously borrowing masters or famous artists from the history of art. Gifted artists add to their personal contexts and content and balance them; artists without them lose themselves, become copy machines, and even make no difference from plagiarism. The second is to emphasize the times. They analyze the status quo of society and find what they are interested in