10月22日,上海国际艺术节“青年艺术创想周”的邀演剧目《狂人日记》(新青年剧团,李建军导演)的演出结束后,中国剧协青年戏剧评论家研修班的微信群便炸开了锅。看到同学们对《狂人日记》(简称《狂》剧)的不满,觉得不奇怪。该剧的编导,原为中戏戏文系、舞美系学生,后有留学经历。他们用“后现代”方式讲中国现代的故事,但作者对这种方式本身并不熟悉,只是编剧知道要把故事碎片化,导演知道要用这些技术手段:噪音、洒灰、打碎生鸡蛋扔一地……因为这已是西 On October 22, after the performance of “Madman’s Diary” (director of New Youth Theater Company and director Li Jianjun) at the Shanghai International Arts Festival “Youth Art Creation Week” was finished, the Wechat of the Youth Theater Critics Seminar of the Chinese Theater Association The crowd exploded the pot. I am not surprised to see the students dissatisfied with the Madman’s Diary (“Mad” play). The director of the play, former drama drama, dance students, after studying abroad experience. They use the “postmodern” way to tell the story of modern China, but the author is not familiar with the method itself, but the writer knows that the story should be fragmented. The director knows to use these technical means: noise, dusting and smashing Throw the raw eggs ... because it is already west