穆哈辛·哈米德的《拉合尔茶馆的陌生人》试图通过讲述实现对个体和文化创伤的救赎,但是却归于失败。个体创伤与集体和民族文化创伤紧密联系在一起。要实现个体创伤的治愈须在文化创伤的建构中实现。小说多种形式的讲述最终都走向沉寂,暗示出作者对创伤救赎之路的消极心态。 Muharidin Hamid’s “stranger at the Lahore teahouse” attempts to salvage the trauma of individuals and cultures through narration, but fails. Individual trauma and collective and ethnic cultural trauma are closely linked. To achieve the cure of individual trauma must be achieved in the construction of cultural trauma. All kinds of narration in the novel eventually went silent, implying the author’s negative attitude to the path of trauma salvation.