今天对于中国动画的讨论,总是离不开两个话题:一是当下电视台播出的粗制滥造的动画作品,其次便是“中国动画学派”全盛时期留下的经典之作。两者之间的差距总是让许多人感慨万千。从表面看来,这显然是一种倒退;但笔者认为,究其背后原因,这种差距的产生是合乎情理的历史必然。我们今天通常所讲的“中国动画学派”是一个时代的特殊产物。它的诞生、发展与兴衰与20世纪五六十年代的中国政治、经济体制以及国际环境有着密不可分的关系。战后的 There are two topics that can not be separated from the discussion of Chinese animation today: one is the shoddy animation produced by the current television station, and the second is the classic left by the “Chinese Animation School” during its heyday. The gap between the two always let many people filled with emotion. On the face of it, this is clearly a retrogression; but in my opinion, the reason behind this is that it is logical that historical inevitability must have arisen. As we usually say today, “Chinese animation school” is a special product of the times. Its birth, development and rise and fall with the 1950s and 1960s of China’s political and economic system and the international environment are inextricably linked. After the war