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中韩说唱艺术渊源甚长,从古至今都有过密切的交流与相互借鉴。4月2日至20日,由中国曲协主席、中国文学艺术基金会理事长兼秘书长姜昆带领的曲艺考察团一行五人赴韩国进行了为期半个多月的访问与交流,考察了韩国的说唱艺术形式,比如盘索里、伽倻琴弹唱、漫才、漫谈、传奇手、叙事民谣。我们在首尔国立大学旁听国乐课程,到国乐院礼乐堂观看盘索里、民谣、杂歌、丧礼音乐演出,在三清阁边品茗边欣赏传统艺术,参观国乐院、民俗博物馆,到古旧书店收集文献资料,与艺术家访谈,等等,更深切感受到中韩在传统文化上的深厚渊源,进而对传统说唱艺术的坚守者们油然而生钦佩与敬意。作为韩国国粹艺术的盘索里,十七世纪产生于朝鲜半岛南部的全罗道,这是朝鲜平民文化兴起的时期,十九世纪达到其发展的鼎盛时期,后逐渐衰落。1964
China and South Korea have a long history of rap art and have had close exchanges and mutual references since ancient times. From April 2 to April 20, a delegation of five went to South Korea for a half-month visit and exchange by a delegation of Quyi led by chairman of China Quqian and chairman and secretary-general of Chinese Literature and Art Foundation Jiang Kun. From April 2 to 20, Rap art forms, such as Pan Sori, Gagarin playing, diffuse, talk, legendary hand, narrative folk. We listened to the national music lesson at Seoul National University, visited the music hall of the National Music Hall, and watched the performances of Panlouri, folk songs, folk songs and funeral music. We enjoyed the traditional art at the side of Sanqing Pavilion, visited the National Music Museum, folk museum , Collecting literature and materials from old bookstores, interviewing artists, and so on, and deeply felt the profound origins of China and South Korea in traditional culture, which in turn gave admiration and respect to the adherents of traditional rap art. As a discourse of Korean national essence art, the seventeenth century originated in Jeolla Province in the southern part of the Korean Peninsula. This was the period when North Korean civil culture emerged. In the nineteenth century, the heyday of its development was reached and then gradually declined. 1964