在当代艺术的政治经济学网络中,是什么在抑制着心灵的力量?是什么在阻挠解放的步伐?是艺术系统那只无所不在的“看不见的手”?还是国际艺术市场的“行情”?是千篇一律的国际大展?还是渗透到我们身体深处的大众文化?艺术家的个体正变得越来越健康而空洞,我们莫名其妙地进入一种“后历史”状态。如何来清晰地描述这种状态? What is inhibiting the power of the soul in the political economy network of contemporary art? What is blocking the pace of liberation? Is it the ubiquitous “invisible hand” of the art system? Or is it the international art market? Quotes “is a stereotyped international exhibition, or is it a mass culture that penetrates deep into our body? Artists are becoming healthier and emptiness, and we are inexplicably entering a” post-history "state. How to clearly describe this state?