赵树理与国家主流意识形态之间的关系经历了冷漠—蜜月—分裂三个阶段。赵树理作为民间文化的发言人,其文艺思想中“为人民”是“为政治”的前提;国家主流意识形态对文艺的规范是“为政治”和“为人民”的前提。赵树理的文艺思想与前期鲁艺代表的延安正统文艺思想存在形式与内容的背反,其关系最初是冷漠的;延安文艺整风运动后国家主流意识形态注重以普通百姓喜闻乐见的语言和民间文艺形式,将抽象的革命理论转化为形象的通俗文艺形式,此时它们进入蜜月期;建国后,“为政治”与“为人民”的矛盾日益尖锐,国家主流意识形态对赵树理进行了招安,却最终失败,导致赵树理与国家主流意识形态最终走向分裂。 Zhao Shuli and the relationship between the mainstream national ideology has gone through apathy - honeymoon - split three stages. Zhao Shuli as a spokesman for folk culture, his literary thought “” for the people “is ” for the political “of the premise; the country’s mainstream ideology of literature and art is ” for the political “and ” for the people The premise. The relationship between Zhao Shuli’s ideology of literature and art and the orthodox literary thoughts of Yan’an, which was represented by Lu Yi in the previous period, were opposite in form and content. The relationship was initially indifferent. The mainstream ideology of Yanan literary and art reorganization movement focused on the language and folklore form that ordinary people loved and heard. Abstract revolutionary theory into the image of the popular literary and art forms, when they entered the honeymoon period; after the founding of the PRC, the contradiction between “for the political ” and “for the people ” increasingly sharp contradictions between the mainstream ideology of Zhao Shu Li, But ultimately failed, resulting in Zhao Shuli and the country’s mainstream ideology eventually split.