一、确立现代文学经典的文化语境建国后最具文化意义的现代文学经典危机,出现在八十年代中期,确切地说其标识就是黄子平、陈平原和钱理群的《论“二十世纪中国文学”》。尽管这之前红色经典与样板戏经典从苦心经营的建构到逐渐被冷落甚至速朽,也曾潮起潮落,但它们的沉浮与政治气候的变换直接关联。而“二十世纪中国文学”这一概念意味着“文学史从社会政治史的简单比附中独立出来,意味着把文学自身发生发展的阶段完整性作为研究的主要对象。”①这种自觉的文学史意识,实质上强调了 First, establish the cultural context of the modern literary classics The most classical cultural crisis of modern literature after the founding of the People’s Republic of China emerged in the mid-1980s. Specifically, its identification was the “theory” of Huang Ziping, Chen Pingyuan and Qian Liqun 10th Century Chinese Literature “. Although the red classics and model opera classics from the painstaking construction to the gradually neglected and even decadent, ebb and flow, the ups and downs of the classic and model opera class are directly related to the transformation of the political climate. The concept of ”Chinese Literature in the Twentieth Century“ implies that ”the history of literature is independent of the simplicity of the social and political history, which means that the stage integrity of the development of literature itself is the main object of study." This conscious sense of literary history, in essence, emphasized