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本文通过对中国作曲家创作的第一部钢琴协奏曲到20世纪末这一期间,所创作的钢琴协奏曲进行总体上的梳理和对各个时间段创作特征的总结,以及从“改编性”为主导的创作、“原创性”为主导的创作、协奏曲结构特点三个方面来阐述中国作曲家创作的钢琴协奏曲的发展概况以及在成功借鉴西方钢琴协奏曲体裁的基础上,是如何体现出自身特点的。
In this paper, the first piano concerto written by Chinese composers to the end of the 20th century, the piano concerto made a general review and summary of the creative characteristics of each time period, as well as from the “adaptation” as the leading , “Originality”, and the structure of concertos, this essay expounds the general situation of the piano concerto created by Chinese composers and how to reflect the characteristics of the piano concerto based on the success of the reference of.