宋代的山水画分为全景山水和边角山水两种绘画风格,在形式上为立轴和手卷,这两种形式都是为了内容的表达,手卷作品多采用游移的视点,使画面的景物向左右或上下方向自由发展,能够达到万里江山尽收眼底的艺术效果。宋代山水画的构图不局限于焦点透视和固定的视点,不局限在同一视域范围内截取画面,它突破了时间、空间的局限,可以把不同空间的物象集中表现在一幅画里,形成山水画独特的空 The landscape paintings in the Song Dynasty are divided into two kinds of painting styles: the panoramic landscape and the landscape paintings. The two forms are the vertical axis and the hand scroll. Both of these forms are for the expression of content. The hand-scroll works mostly use the moving point of view, Up and down the free development of the direction to reach the panoramic view of the art of Miles. The composition of Song Dynasty landscape painting is not limited to the perspective of focus and fixed point of view, not limited to the same field of view interception of the screen, it breaks through the limitations of time and space, you can focus on the different space objects in a picture, the formation of landscape painting Unique empty