一鲁迅的散文诗集《野草》是直面灵魂深处的独语,被认为是“鲁迅心灵炼狱熔铸的诗”1。这个结论在评论界早已成为共识。但鲁迅的不同凡响之处恰在于他经常会在具体作品中给人留下深入探索的空间,《野草》中的《风筝》便是这样一篇让人在疑惑和思索后才能更深体悟到其中真谛的文章,它在《野草》集中长期默默无闻,但却是《野草》中的极具“野草精神”的一朵“奇葩”。如果说“风格即人”这句话是正确的,那么,鲁迅的作品中最像他本人的就是《野 A Lu Xun’s collection of prose poems, “Wild Grass,” is a monologue deep in the depths of the soul and is considered as the “poetic cast by Lu Xun’s Soul Purgatory”. This conclusion has long been a consensus in the critics. However, the extraordinary place of Lu Xun lies in the space he often gives in-depth exploration in specific works. The “kite” in “weeds” is such a thing that people can wonder more deeply after doubting and thinking about them The true meaning of the article, it has long been unknown in the “Weeds” concentration, but it is “Weeds” in the very “Wild Grass Spirit,” a “wonderful”. If we say that “style is man” is correct, then Lu Xun’s works most like himself is "wild