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一个七音列(七律)与宫、商、角、清角(和)、变徵(中)、徵、羽、闰(清羽)、变宫(九声)相结合,并形成完整的音阶概念(关系)时,必然形成三种结构形态,这就是同均三宫原理的基本内涵。由此说明:同均三宫不是深奥复杂的理论,而是一个简单的宫调学原理;同均三宫不是纯粹的应用理论,而是建构在实践基础上的基本原理;同均三宫不是黄翔鹏的发明,而是传统音乐中本来就有的律声系统。
A seven-tone series (seven rules) and the palace, business, angle, angle (and), the sign of change (in), Zheng, feathers, intercalary Concept (relationship), the inevitable formation of three kinds of structural morphology, which is the basic meaning of the same average Sannomiya principle. It shows that Tongfang Sannomiya is not an esoteric complex theory but a simple theory of Gongtong. Tongfang Sannomiya is not a purely applied theory but a basic principle based on practice. Tongfang Sannong is not Huang Xiangpeng Invention, but rather the traditional sound system in the music.