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展览是创作的延伸,如何对书法篆刻作品进行展览,是需要思考的问题。本文以二○○八年中国艺术研究院在国家大剧院主办的“金石永寿——中国寿山石篆刻艺术辰”、二○一○年初中国美术馆推出的“情境书法大展”与二○一六年一月“古雅新生——深圳美术馆青年书法邀请展”为例,阐述当代书法篆刻展览的文化之思与审美之维。
Exhibition is an extension of creation, how to carry out the exhibition of calligraphy and seal cutting works, is a question that needs thinking. In this paper, the “Art of Shishis Stone - Chinese Shoushan Stone Carving Art” hosted by National Art Theater of China in 2008 and the “Situational Calligraphy Exhibition” by China National Art Museum in early 2010 January 2016 “Quaint Freshman - Shenzhen Art Museum Youth Calligraphy Invitation Exhibition” as an example, expounds the cultural thinking and aesthetic dimension of the contemporary calligraphy and seal cutting exhibition.