本文从生态女性主义视角对凯瑟中后期的两部重要作品《一个迷途的女人》和《岩石上的阴影》进行解读,分析凯瑟中后期创作的特点,揭示凯瑟中后期作品在主题和思想上均产生了有别于创作前期的巨大变化,并挖掘其中蕴含的生态女性主义思想。 This essay interprets two important works of Cather from mid and late stages, “A Lost Woman” and “Shadows on the Rock” from the perspective of ecofeminism. It analyzes the characteristics of Caesar’s later and later creations, All of these have produced great changes from the pre-creation stage in their thoughts, and have also explored the eco-feminist ideas contained therein.