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众所周知,艺术贵在特色。中国戏曲剧种众多,区分各剧种特色的主要标志就是音乐唱腔。一个剧种的兴衰往往与它在音乐唱腔上的发展有密切关系。历史上昆曲京剧的发展自不待说,近代一些地方戏曲的影响扩大也证明这一点,而纵观这些地方戏曲近几十年的兴盛发展大多离不开音乐唱腔尤其是男声唱腔的改革成功,如豫剧、评剧、越剧等。大家知道,河南梆子也就是现在的豫剧,在其发展的历史中曾存在与河北梆子同样的问题,如几乎都是以女
As we all know, art is very special. There are many kinds of operas in Chinese operas and the main hallmark distinguishing the characteristics of each operas is the music singing. The rise and fall of a drama is often closely related to its development in music. The development of Kunqu opera in Beijing in history does not need to say that the expansion of the influence of some local operas in modern times also proves this point. Looking at the development of these local operas in recent decades, most of them can not be separated from the successful reform of music vocals, especially male vocals. Henan Opera, Pingju, Yue Opera and so on. We all know that Henan Bangzi is now the opera, in the history of its development and Hebei Bangzi there have been the same problems, such as almost all female