古人云:“笔墨当随时代”。随着现代审美的要求,如何丰富中国画的表现形式创作出适合现代发展的作品;是否可以从光的选用和阴影的处理几个方面去思考,将对拓宽中国画的表现语言起到一定的作用。现代中国画光影表现语言的渊源中国画虽以墨色和线条组织画面,不强调光线和阴影,但不代表中国画没有光影的表现。墨分五彩,中国画可以利用墨色浓淡、黑白灰关系、虚实对比、固有色的冷暖、明暗对比等一系列的变化反应光影。也可以强调主次、虚实、疏密、繁简,讲究造型因素对立统一,将 Ancients said: “Pen and ink with the times ”. With the request of modern aesthetics, how to enrich the forms of Chinese painting to create works suitable for the modern development; whether it can be considered in terms of the selection of light and the treatment of shadow, will play an important role in broadening the expressive language of Chinese painting. The Origin of Modern Chinese Painting Light Language Although Chinese painting is composed of ink and lines, it does not emphasize light and shade, but it does not mean that Chinese painting has no light or shadow. Ink multicolored, Chinese painting can use the ink shades, black and white gray, contrast between the actual situation, the inherent color of the warm, light and shade contrast and a series of changes in light and shade. Can also emphasize the primary and secondary, actual situation, density, simplified, pay attention to the unity of opposites, will