清代词人在选本的编选过程中,存在着普遍的擅改原作现象,尤以明词选本为最。以王昶《明词综》为例,选家以当时的词学观来考察明词创作,在声律、格调、本事背景等多方面径直删改,有的改动篇幅竟达一半以上。这是清代中兴词学观在前人词选中的局部体现,既有潜在的心理背景,又有明确的学术动机和目的。此文学现象肇始于明末清初,而止于晚清,对后世的词学观念和学界研究产生了许多负面影响。 During the process of compiling the anthology of Qing Dynasty poets, there were common phenomenon of tampering with the original works, especially the selection of Ming Ci. Taking Wang Chang’s “Ming Ci Ci” as an example, the essayists studied the Ming poetry creation from the perspective of the contemporary Ci-poetry, and went straight to the censors in the aspects of accent, style and background. Some of the changes were more than half in length. This is a partial manifestation of the Ci poetry concept of Zhongxing in the Qing dynasty. It not only has potential psychological background, but also has clear academic motivation and purpose. This literary phenomenon started in the late Ming and early Qing dynasties, but ended in the late Qing Dynasty, which had many negative impacts on later generations of Ci ideas and academic studies.