在赋论史上,唐赋有“中衰”之说,这源自后世以古赋为评价标准、以律赋代表唐赋以及以诗歌掩盖辞赋的误解,然观其整体发展,则具有超越魏晋而上承汉代的帝国气象与风采。唐人赋学思想以“美”与“刺”为中心,其内涵丰富,包括统一经学与《诗》之“六义”的经典化、对《文选》的崇尚及唐代类书与赋学的关联。由科举试赋而呈示出的有关古赋与律赋的讨论,尤其是经义观与技术论,体现了唐帝国图式中兼臻赋用与赋法的理论思想,这也是围绕唐赋创作之批评总“八朝众轨”而启“三代支流”(借用王芑孙语)的价值与意义。 In the history of Fu, Tang Fu said “in the decline,” said, which stems from later generations to the ancient Fu as the evaluation criteria to the Fu on behalf of the Tang Fu and poetry to cover up the misunderstanding of the cifu, however, the overall development of view, then beyond The Wei and Jin Empire Han Empire weather and style. The thought of Fu in Tang Dynasty centered on “beauty ” and “sting ”, which is rich in connotation, including the classics of “unification of Confucian classics” and “ The relationship between class books and fu. The discussion about the ancient fu and the law and order, especially the theory of righteousness and righteousness, demonstrated by the imperial examinations and funerals reflects the theoretical thought of using and imparting the Fa in the Tang Empire schema. This is also about the creation of Tang Fu The criticism of the total ”Eight Astrolabear “ and Kai ”three generations of tributaries " (borrow Wang 芑 Sun language) value and significance.