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中国油画已经在当代艺术中占据了重要的地位,是当代社会和文化发展的风向标之一。其中,有些油画创作中往往对儿童形象情有独钟,这些艺术家凭借积累的丰富知识和创作经验,从特殊的审美视角出发,描述了四类儿童形象,即美化的儿童形象;病态的儿童形象;怀旧的儿童形象;冷眼旁观的儿童形象。然后,本文还列举了几个画家的具体作品来说明当代的油画创作与社会现实之间存在着密切的联系,尤其对留守儿童题材的油画作品《顽童》进行了相关的分析,说明了当代油画家对于现实所处社会中的实际问题有着知识分子的感知和思考,从而表明了现代油画向着社会化转型的进步趋势。
Chinese oil painting has occupied an important position in contemporary art and is one of the vanestones in the development of contemporary society and culture. Among them, some oil paintings often have a special liking for children’s images. Based on their accumulated rich knowledge and creative experiences, these artists describe four types of children’s images from a special aesthetic point of view, that is, beautified children’s images; morbid children’s images ; Nostalgic children’s image; sit-in children’s image. Then, this article also lists the specific works of several artists to illustrate the close relationship between the contemporary oil painting creation and social reality. In particular, it analyzes the oil painting urchins left behind by children and illustrates the contemporary oil painting At home, there are intellectuals’ perceptions and reflections on the actual problems in the society where they live, which shows the trend of the modern oil painting’s transition to socialization.