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中国文学对于“光”和“影”的表现始自何时似乎已经不容易以确凿的证据加以阐述,但六朝时期,尤其齐梁二代的文人雅士在他们的诗中有意识地去表现自己对于光的敏感知觉,捕捉因光感而生成的物影、人影的流动,则是不争的事实。在无声而细微的光影变迁里,齐梁文人寄语了太多的生命感慨;透过尘封已久的五言韵语,我们尚能触摸到齐梁文人的内心温度。一、光影作为背景的存在:从曹植到谢朓
Chinese literature does not seem to be able to expound on the performance of “Light ” and “Shadow ” from the very beginning, but the literati in Qijiang during the Six Dynasties especially consciously It is an indisputable fact that we can express our sensitive perception of light, capture the shadow and the silhouette of people generated by the light sensation. In the silent and subtle changes of light and shadow, Qi Liang’s sighs convey too much emotion of life; through the dusty five-character rhyme, we can still touch the inner temperature of Qi Liang’s literati. First, the existence of light and shadow as a background: from Cao Zhi Xie Xie