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通过中西方不同的文化背景与东西方绘画的“写实”与“写意”实例,分析他们的审美意识以及这两种审美意识各自的地位与作用。
Through the different cultural backgrounds in both China and the West and the examples of “realism ” and “freehand ” in Eastern and Western paintings, their aesthetic awareness and their respective status and role are analyzed.