论文部分内容阅读
1917年萧公弼连载发表的《美学·概论》,准确介绍了“美学”的学科定义,细致厘定了“美”的概念的丰富涵义,在美的主观性与客观性、差异性与公共性、普遍性与创造性之间的辩证关系,审美的公正心态,爱美与人的天性,好美恶丑的艺术作用与社会作用,艺术美的创造方法等问题上提出了发人深省的意见,堪称中国现代美学学科的奠基之作,在中国现代美学史上拥有不可忽视的重要地位。
In 1917, Xiao Gongbi published “Aesthetics · Introduction” serially, which accurately introduced the subject definition of “Aesthetics” and elaborated the rich connotation of the concept of “beauty”. In the subjectivity and objectivity of the United States, the difference And public relations, universality and creativity of the dialectical relationship between the aesthetic and fair mindset, beauty and human nature, beauty and evil ugly art and social functions, the creation of artistic beauty and other issues raised the issue of thought-provoking comments, It is said that the founding work of China’s modern aesthetics has an important position that can not be ignored in the history of modern Chinese aesthetics.