我对汉语新诗的整体状况有一个私人的判断,即这一百年来,中国并不缺少好诗人甚至大诗人,但真正足以与这种状况相匹配的大批评家,则似乎一个也无。如今的诗歌批评家中最优秀的几位,固然可以称得上勤勉称职,却并无足够的机缘与能力走在更遥远的前头,为向未来敞开的可能性提供必要的想象,也无法撬动业已建立的经典格局和评判秩序,重新为汉语诗“立法”。即便水准勉强相称,他们在与这个时代最好诗人的持续“角力”中,无论是赞赏还是讥讽, I have a personal judgment on the overall condition of Chinese new poetry. In this century, there is no shortage of good poets and even big poets in China. However, there seems to be no single critic who can really match this situation. Although the best of today’s poetic critics can be called diligent but without sufficient opportunity and ability to go further, to provide the necessary imagination to open the possibilities for the future, Has been established by the classic pattern and the judge order, re-Chinese poems “legislation ”. Even if the standards are barely proportionate, they are both admired and ridiculed in their ongoing struggle with the best poets of our time,