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《红楼梦》中有两个场合写到演洪昇《长生殿》的折子戏。一次是第十一回,在宁国府为贾敬祝寿的家宴上,王熙凤点了《弹词》;另一次是第十七至十八回,贾元春省亲时点了《乞巧》。洪昇《长生殿》作为清代昆曲传奇的巅峰之作,其中许多折子戏长期流行。《红楼梦》中虽然写演《长生殿》的折子戏仅两次,但值得注意。本文主要讨论两个问题:一、在祝寿的场合点《弹词》并不适宜,王熙凤点《弹词》的背景和原因有二:1、《弹词》因为其独特而优异的艺术品质一度极为流行;2、在长期舞台演出中,《弹词》出现通行的舞台演出本,将原作中体现洪昇历史批评锋芒的文词删改掉。二,贾元春省亲时点《乞巧》这一情节对刻画元春形象的特殊作用。
There are two occasions in “Dream of Red Mansions” written in the play-off drama of Hong Kong’s “Palace of Eternal Youth.” Once the eleventh back, in the Ningguo Jia Jia birthday birthday banquet, Wang Xifeng point “storytelling”; the other is the seventeenth to eighteenth back, Jia Yuanchun pro point when the “begging Qiao.” Hong Sheng “Palace of Eternal Youth” as the culmination of the legendary Kunqu Opera in the Qing Dynasty, many of which are popular for a long time. Although it is only twice that the performance of the “Excerpts from the Palace of Eternal Youth” is written in A Dream of Red Mansions, it is worth noting. This article mainly discusses two issues: First, the “storytelling” is not suitable at birthday occasions. There are two reasons for Wang Xifeng’s pointing out “storytelling”: 1. “storytelling” was extremely popular because of its unique and excellent artistic quality; 2. In the long-term stage performance, “Danzao” appears as a popular stage performance book, which will be deleted from the original book which reflects the rising edge of Hong Sheng’s historical criticism. Second, Jia Yuanchun pro-time point “Qi Qiao” This plot depicts the special role of the image of Spring Festival.