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20世纪三十年代初是胡一川走上革命道路和开始从事木刻运动的重要时期,文章主要从革命美术家个体出发,围绕时代与革命、个人境况与革命、爱情与革命、鲁迅与胡一川的关系、胡一川为何转向木刻创作等系列问题进行分析,重新勾勒了三十年代初期的胡一川及其与中国早期新兴木刻史的若干问题。
In the early 1930s, Hu Yichuan embarked on the road to revolution and started an important period of woodcut movement. The article mainly proceeded from individual artists of revolution and revolved around the relationship between the times and revolution, personal circumstances and revolution, love and revolution, Lu Xun and Hu Yichuan, Hu Yi-chuan turned to woodcut creation and other series of issues to be analyzed, to recapitulate the early 1930s Hu Yi-chuan and its relationship with China’s early history of emerging woodcut a number of issues.