话要从头说起。中国新文化的伟大旗手鲁迅倡导的新兴木刻艺术，具有现代的革命精神，它不是有着辉煌历史的古代“复制木刻”。它在１９３２—１９３７年短短期间，从“小点萌芽”形成“茂林嘉卉”般地一支坚强有力的木刻艺术创作队伍，而且导致解放区木刻活动蓬勃开展。１９３ Speak from scratch. It is not an ancient “copy woodcut” with a glorious history, as the emerging woodcut art advocated by the great banner champion of Chinese new culture has a modern revolutionary spirit. In the short period of 1932-1937, it formed a strong force of woodcut creation team like “Maolin Garland” from “Sprout of Small Point” and led to the vigorous flourishing of woodcut in Liberated Area. 193