一、问题的提出从某种意义上讲,“黑衣壮”已成为继“刘三姐”之后壮族“传统文化”最为重要的标识之一。不过,尽管被赋予“原始”、“原生态”、“古老而神秘”、壮族文化的“活化石”等诸多浪漫想象,享受着某种意义上的“诗意的人生”,并实现着所谓的“审美化生存”①,但“黑 First, the issue put forward In a sense, “black and strong” has become the “Third Sister Liu” Zhuang “traditional culture” one of the most important signs. However, despite the romantic imagination of “primitive”, “primitive ecology”, “ancient and mysterious” and “living fossil” of Zhuang culture, enjoying some kind of “poetic life” and realizing the so-called “ Aesthetic living ”①, but" black