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乔治·比才通过音乐的语言展现出社会底层人民的真实生活,并运用浓郁的民族色彩,将歌剧中紧张的戏剧矛盾淋漓尽致地表现出来。这种极富表演张力的舞台效果与传统的戏剧创作手法巧妙地融为一体,成为法国19世纪歌剧史上的新里程碑。尤其是比才的代表作《卡门》,以其独特的魅力为法国歌剧开辟出了一条崭新的现实主义道路。
Georges Bicai shows the real life of the people in the bottom of society through the language of music and uses the rich national colors to vividly display the contradiction between the tense drama in the opera. This highly performing stage tension is skillfully integrated with the traditional dramasmanship and has become a new milestone in the history of French 19th-century opera. In particular, his masterpiece “Carmen”, with its unique charm opened up a new realist road to French opera.