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电影《凯撒必须死》的导演塔维亚尼兄弟通过套层结构形式搭建起“剧情”与“纪录”双重类型的视听风格,记录再现了意大利狱中刑犯排演莎士比亚名剧《尤利乌斯·凯撒》的全过程;力图捕捉、展现这一边缘群体在艺术的熏染与感召下,情难自禁生发出的对生命本真渴求的纯粹一面;同时,以对缺席的在场者凯撒的历史镜像搬演,揭示了依然延宕在现代社会意识形态深层的“父”的象征秩序的文化事实。
The film “Caesar Must Die” director Tavani brothers through the jacketed structure to build the “story” and “record” double type of audio-visual style, record and reproduce the Italian prisoners rehearsal of Shakespeare’s play “ Julius Caesar ”; trying hard to capture and show the pure side of the marginalized group’s true thirst for life, which is exuded by the marginalized groups under the artistic influence and inspiration; at the same time, The historical mirror movement of Caesar reveals the cultural fact that still lags behind the symbolic order of “father ” in modern social ideology.