改革乐器是一种高尚的艺术创造,而且每位改革者都会有自己的艺术个性。作为一个彝族演奏员,我在深入民间学习、探索并受到一些启发的情况下,近些年来对彝族民间乐器小闷笛进行了改革。我认为,改革小闷笛首先要注意保留其传统风格和特点,然后是在此基础上扬长避短,以求扩展音域、改善音准、提高演奏性能。根据小闷笛传统奏法、技巧的可塑特点,改革中我没有采取加键的方法。因为加键会使小闷笛 The reform of musical instruments is a noble artistic creation, and each reformer has its own artistic personality. As a performer of Yi nationality, I conducted some reforms in recent years on the small tug-of-folk of the Yi national folk instrument in my study of the folk, exploration and enlightenment. In my opinion, the reform of the small flute must first pay attention to preserving its traditional style and features, and then based on this, avoid weaknesses in order to expand the range, improve the pitch, and improve performance. According to the traditional method of small tundra, skill plasticity characteristics, the reform I did not take the method of adding keys. Because of the key will make a small flute