“匠气”被许多职业书家贬为笔墨之俗病,但史上工匠与书家的关系又是显豁的,尤其在书体、空间、意境、装饰等层面呈现关联性场域。书家工匠不仅创制了结体、章法、笔画的书家运笔规约,还拓展了阳刚之气、雄奇之态、自然之朴、致用之美的书法功能取向。同时,工匠精神也内化为书家文化素质。显然,作为职业素养的工匠精神与书家的严谨、自然、致用等品性上存有复合场域。 However, the relationship between artisans and calligraphers in the history is obviously significant, especially in the fields of book body, space, artistic conception and decoration. Book artisans not only created the knot rules of knot, chapter and stroke, but also expanded the orientation of the calligraphic functions of masculinity, magnificent state, natural beauty and practical beauty. At the same time, craftsmanship is also internalized as a book of cultural quality. Obviously, as a professional accomplishment of artisans and calligraphers spirit of rigorous, natural, practical purposes, such as the existence of a composite field.