《谁害怕弗吉尼亚·伍尔夫》是爱德华·阿尔比的代表作之一。戏剧以20世纪60年代为背景,通过对话以及疯癫的行为建构和反映了20世纪60年代“知识分子阶层的生存状态,即不愿面对现实,生活在各自编织的幻想中,在幻想与现实之间痛苦地挣扎着”。本文将运用新历史主义中的自我塑造这一理论观点挖掘出作品中所暗含的对主流意识形态权力反抗、颠 “Who fears Virginia Woolf” is one of Edward Albi’s masterpieces. In the 1960s, drama was used to construct and reflect the living conditions of the intelligentsia in the 1960s through dialogues and insanity behaviors. That is to say, the theater is not willing to face the reality, living in the weaving fantasy, Struggling with reality between ". This article uses the theory of self-shaping in New Historicism to dig out the opposition to the mainstream ideology contained in the work