文章以花鸟画的发展历程为主线 ,论证了花鸟画产生的年代,又从绘画的载体、绘画的功用、表现形式与技法、以及画家与作品、作品的数量等方面进行系统的剖析 ,从而对中国花鸟画的产生、断代问题提出了个人的新见解 The article takes the history of flower and bird painting as the main line, demonstrates the generation of flower and bird painting, and systematically analyzes the vector, the function, form and technique of painting, the number of painters, works and works, The emergence of China’s bird and flower painting, dating to the issue raised a new personal opinion