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在中国电影百年历史中,对真实性的研究和接受程度远远高于对电影假定性的研究和接受。艺术作品的假定性是建立在真实基础上的假定性,这个真实一方面指生活的真实,一方面指整部影片的逻辑真实和情感真实。可接受性的依据是观众的感觉,虚构的被接受了便产生了真实的感觉,最起码是貌似真实的感觉,真实的不被接受便产生了虚假的感觉。
In the centennial history of Chinese film, the research and acceptance of authenticity is much higher than that of the hypothetical research and acceptance of the movie. The presumption of the work of art is based on the assumption of reality. On the one hand, this reality refers to the reality of life. On the other hand, it refers to the logical reality and emotional reality of the whole film. Acceptability is based on the feelings of the audience, fiction has been accepted to produce a real feeling, at least the seemingly true feeling, the true will not be accepted will have a false feeling.