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克罗齐学派认为,一旦意象形成于意识之中,艺术创作就完成了,无须再去制作。这固然比“复制现实”好些,但画总得画出来,构思经制作而落实为可视的东西,并非无足轻重的物理性行为。画家所孜孜不倦地追求的,很大一部分正在艺术形象的生成。在上述第一个转化之后,还必须有意象的外化这第二个转化。
Croce school believes that once the image is formed in the consciousness, the artistic creation is completed, no longer need to make. While this is better than “copying reality,” it is not unreasonable to find that painting has always been drawn up and conceived as something that can be visualized. Painter’s tireless pursuit of a large part of the formation of the artistic image. After the first transformation above, there must also be an externalization of the image of this second transformation.