自李贽、徐渭始,以臧懋循、冯梦龙、陈继儒、汤显祖、王思任、沈际飞等为代表的晚明文人广泛参与戏曲评点,不仅丰富了戏曲评本的类型,而且从剧学视野下的叙事结构理论、“情本”视野下的审美批评及多元化的风格批评等方面促进了戏曲批评理论水平的提高。 Since the late Li and Xu Wei started their studies, late Ming writers represented by Zang Mao-xun, Feng Meng-long, Chen Ji-ru, Tang Xian-zu, Wang Si-ren and Shen Ji-fei have extensively participated in the commentary of the opera, which not only enriches the types of drama commentary but also from narrative structure theory, Aesthetic criticism and diversified style criticism from the perspective of “love book” promote the improvement of the theory of drama criticism.