摄影从其呱呱坠地起,因其生来自带的机械复制性和它产生的影像与现实世界之间有着一一对应的关系,往往被人们看做“自然之笔”。这也预示着摄影作为艺术的原罪,因为它精确的写实主义色彩。不带情感的影像记录能力,似乎无法展现艺术家的创作表现力。从19世纪的波德莱尔(Charles Pierre Baudelaire)到20世纪的约翰·伯格(John Berger)和罗兰·巴特(Roland Barthes)等都对此直言不讳:“摄影必须回到它真正的岗位上,那就是作为艺术与科学的女仆。而且是一个很谦卑的女仆。”“与素描不同,摄 Since its birth, photography has always been seen by people as the ”pen of nature“ because of the mechanical replicability of its students and the images it produces and the real world. It also foreshadows photography as the original sin of art because of its precise, realistic color. It seems that the emotion recording ability can not show the creative expression of the artist. From 19th-century Charles Pierre Baudelaire to 20th-century John Berger and Roland Barthes are all outspoken: ”Photography must return to its real job On, that is as a maid of art and science, but also a very humble maid. “” Unlike the sketch, photo