非洲传统木雕不需草图的直接雕刻,抛却任何概念与理论的束缚,其创作的冲动并非来自观察或是因循,而更像是一场艺术家与材料的精彩邂逅。在每一刀痕之间似乎都可望见创作者陶醉在过程中完全回归自然、纯粹忘我的表情,感受到他们手执利刃时扩散出的无比坚强意志与毫不妥协的精神。一、依木造型不需要草图的直接雕刻, Traditional carving of wood without sketch of direct sculpture, leaving behind any concept and theory, its impulse to create or not from observing, and more like a wonderful encounter with the artist and the material. It seems as if every creature is completely reverted to nature in the process of being completely indelible on each cutting mark, feeling the incomparable strong will and uncompromising spirit as they spread their hand in sharp edges. First, according to the wood shape does not require a direct sketch of the sketch,