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香港电影具有良好的文化生态和结构,不仅在亚洲电影业鳌头独占,而且在全球电影业中也有举足轻重的地位。多种文化声音的交融、碰撞与并存,人文关怀与商业诉求的齐头并进,艺术探索的先锋态势与类型衍生的巨大能量,欲言又止的文化身份与立足草根的创作姿态,成为香港电影独特的艺术魅力和文化特征。近年来,内地电影产业问题成为理论界和业界的瞩目焦点,与之相对应的是,香港电影同时也在寻求艺术与商业平衡协调的良性运作机制。对香港电影进行观察研究,可以为国产电影的发展策略提供一些富有启发性的思考。本期“香港电影研究”专栏,将以王晶、陈果两位导演的个案研究和香港武侠影视剧的类型分析为选题进行探讨,以期为香港电影以及中国电影未来发展的可能性进行探索和思考。
Hong Kong film has a good cultural ecology and structure, not only in the Asian movie industry leader, but also in the global movie industry also has a pivotal position. The blending, collision and coexistence of a variety of cultural voices, the continuous advance of humane care and commercial appeal, the tremendous energy derived from the vanguard situation and type of artistic exploration, the unspeakable cultural identity and the creative attitude based on grassroots and the uniqueness of Hong Kong films Artistic charm and cultural characteristics. In recent years, the issue of the Mainland’s film industry has become the focus of both theorists and the industry. Correspondingly, Hong Kong films are also seeking a benign operation mechanism that balances the art and business balance. The observation and study of Hong Kong films can provide some inspiring thoughts on the development strategies of domestic films. This issue of “Hong Kong Film Studies” will be based on the case studies of two directors directed by Wang Jing and Chen Guo and the type analysis of Hong Kong martial arts films and TV dramas, with a view to exploring the possibility of Hong Kong films and the future development of Chinese films. And thinking.