二胡演奏作为一种传统的民间艺术,经过多年的发展,逐渐有了更具地方特色的流派,主要有南派,北派,秦派等。不同流派在不同的环境下已经形成了自己的特色,北派在二胡演奏上就比较注重功力,演奏风格也显得粗犷,南派正好与北派相反,在演奏风格上更显细腻,而秦派二胡演奏在风格上以低沉,悲戚为主。本文主要对南派,北派及秦派二胡艺术展开分析,谈谈各派的特色,演奏风格以及所产生的社会影响。 Erhu playing as a traditional folk art, after years of development, gradually have more schools with local characteristics, mainly in the South School, North School, Qin school and so on. Different genres have formed their own characteristics in different environments. The Northern School is more emphasis on skill in playing erhu, playing style is also rough, the South School is just the opposite with the North, playing style is more delicate, and the Qin School Erhu playing style in order to low, grief mainly. This article mainly analyzes the Southern School, the Northern School and the Qin School of Erhu Art, and talks about the characteristics of each school, the playing style and the social impact.