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戏曲艺术是在中国传统文化土壤中孕生、发展和成熟的,元典文化所体现出的思维方式、哲学精神对其产生了显著而深刻的影响。直观感悟式的思维方式以其思维的内倾性和主观性,形成了戏曲艺术“寓时于空”、“以时帅空”的时空观念和主观心灵化的、超脱空灵的舞台形态,并进而形成了创作主体与审美主体在戏曲艺术审美创造和审美欣赏过程中注重情感之“真”,淡化生活之真;注重“情感逻辑”,疏淡人物性格发展逻辑的审美观念
The art of opera is pregnant, developed and mature in the soil of traditional Chinese culture. The thinking mode and philosophical spirit embodied in the classical culture have a significant and profound impact on it. Intuitive and sensible way of thinking with the thinking of the introversion and subjectivity, the formation of the opera art “in the air”, “space-time” concept of time and space and subjective spiritual, ethereal stage form, and thus Formed the main body of creation and the main body of aesthetics, focusing on the “truth” of emotion during the aesthetic creation and aesthetic appreciation of opera art, desalting the truth of life; paying attention to the aesthetic logic of “emotional logic” and the logic of personal character development