本文分为三大部分:古希腊与中国气候环境人物思想等对比分析和古代中西方人物雕塑中衣纹对比差异。在第一部分中,分析古希腊与古中国气候环境和地域影响下带来的直接的影响雕塑服饰风格的原因。以及,气候环境地域不同加上人口种族不同导致的人口素质与社会风气的差异,间接影响着古希腊与古中国的思想文化审美哲学的差别化,然后进一步的导致古代希腊和中国服饰风格的差异;第二部分中,直接分析由于种种主客观因素下,古希腊人物雕塑衣纹中的“体”化的处理方式受:1.衣纹是随着内在形态结构而变。2.衣纹随着材质而变化。3.衣纹随着动势强弱而变化。三方面因素的影响。相对的,中国人物雕塑衣纹“线”化的风格由:1.抓重点,捉主线。2.以衣纹上线的软硬代表衣物的软硬。3.以衣物的裁剪款型穿着方式影响着衣纹的表现形式。三大方面因素影响。侧重“点,线,面,体”的不同,处理方式受影响方向也不尽相同。第三部分略写了中西方不同文化背景,不同处理方式下的希腊成品雕塑与中国画的共性,雕塑中衣纹的艺术风格与“曹衣出水”理念的惊人一致。最终总结,在大相径庭的不同国家不同地域文化背景下,在各自充满不同特色的艺术追求中,艺术无国界。中西方雕塑中自古以来,人物雕塑是雕塑题材中的一大类,关于各种人像雕塑的著名作品也比比皆是,多为具象作品。具象的人物雕塑作为空间立体性质的美术形式,其身体与衣物之间的关系处理占居很重要的位置,两者相辅相成处理的恰到好处才可能成为一件好的作品。然而,观古代到今的中西方许多雕塑作品中,发现西方人物雕塑的衣纹处理与中国人物雕塑衣纹处理的方式大不一样,追求的精神也是大相径庭的,而在某些方面似乎又存在着某些共点。 This article is divided into three parts: the comparative analysis of the figures of ancient Greece and China’s climatic and environmental factors, and the comparison of contrasts in the ancient Chinese and Western figures. In the first part, it analyzes the reasons that the sculpture clothing style directly affects under the climatic environment and geographical influence of ancient Greece and ancient China. As well as differences in the quality of the population and social ethics caused by the different geographical environments and population races, indirectly affect the differentiation of the ideological and aesthetic philosophy of ancient Greece and the ancient China and further lead to differences in the styles of ancient Greek and Chinese clothing In the second part, the direct analysis of the subjective and objective factors, the ancient Greek figure sculpture clothing “body ” of the treatment by: 1. Clothing is with the internal structure and change. 2. The texture changes with the material. 3. Clothes with the trend of strength changes. Three aspects of the impact. In contrast, the Chinese character clothing “line ” of the style by: 1. Grasp the focus, to catch the main line. 2. Clothes on the line on behalf of the hard and soft clothing hardware and software. 3. To cut clothing models wear patterns affect the performance of clothing patterns. Three major factors affect. Emphasis on “point, line, surface, body ” of the different ways of dealing with the affected direction is not the same. The third part is a summary of the similarities and differences between the Greek finished sculpture and the Chinese painting under different cultural backgrounds and treatments of different cultures in China and the West. The artistic style of the garments in the sculpture is strikingly similar to that of the “Cao Yi water” philosophy. In the end, we conclude that in different cultural backgrounds of different countries and in different countries with different characteristics, art has no boundaries. Since ancient times, Chinese and Western sculptures have been one of the most important sculptural objects in sculpture. Famous works on various sculptures are everywhere, mostly figurative works. As a three-dimensional art form, figurative sculpture can occupy a very important place in the relationship between body and clothing, and the two can complement each other well to be a good work. However, many ancient Chinese and Western sculptures from ancient to modern times have found that the treatment of Western people’s garments is quite different from that of Chinese sculptures. The spirit of their pursuit is quite different and in some respects seems to exist again Something in common.